A programmatic reasoning about vision: images and light. It is an argument about images and light. From the name of the most famous and iconic and outstanding painting in the history of art, the MONNALISA comes a collection of objects that are dedicated to images of our daily history, captured, fixed, immortalized and shown, it is the familiarity with what is to come.
His gaze implies necessity, matter, gestures. Our eyes look to innovative products that stimulate the creativity of those who use them. But where do we stand with the wife of Francesco Giocondo? Personally in Florence, in a painting in Paris by Leonardo da Vinci, psychedelic, with moustache of Duchamp or Warhol, reflected on a poster or in a photograph? An image that is indelible in our memory is now a reality in the present: MONNALISA.
A collection of modern design lamps, picture and poster frames, photo files, albums that have been redesigned and reinvented. Projects and solutions with a lean but not a firm anonymous, sober, but not too much: modesty, a branch of its qualities. A collection of objects made with the use of experimental processes and technology sophisticated, aimed at a demanding client who appreciates a quality product that is the beginning of a new adventure for the enterprise.
This is based on the relationship between MONNALISA and Italian designers or foreign, with the intention of going beyond, exploring other territories and always with the necessary pleasure of a good design. Meanwhile there is the design covered grave, but it is not that they are ready to enlighten and sustain our photographic memories.